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Symphony No. 2 (Bernstein)
Leonard Bernstein's Symphony No. 2 ''The Age of Anxiety'' is a piece for orchestra and solo piano. The piece was composed from 1948 to 1949 in the US and Israel, and was revised in 1965. It is titled after W. H. Auden's poem of the same name, and dedicated to Serge Koussevitzky.
==History==
A friend is claimed to have given Bernstein the idea to write music based on ''The Age of Anxiety'' in a letter:
::What do you think of the 'Anxiety' idea? There is so much musical-subtlety in it, and those various metres brought about by the different roads the couples take and their differing means of transportation, to say nothing of the moods, and the separateness that becomes Oneness under alcohol and/or libidinal urges. You mentioned it being good ballet material, yes, but I think, first, it should be composed as music by itself and therefore protect it from being too obvious program music, and then if some clever choreographer can put the musical composition to work, with what added quality good music may give to the themes and material, well and good. I would rather have 'it' in the concert hall, where it can be less 'handled' than in the ballet school where many different talents brush it up. It's too good a thing for many hands.〔 (Leonard Bernstein.com ) 〕
When beginning to write the piece, Bernstein stated that Auden's poem was "one of the most shattering examples of pure virtuosity in the history of English poetry" and that a "composition of a symphony based on The Age of Anxiety acquired an almost compulsive quality."〔 Chisolm 〕 Having won the Pulitzer Prize in 1948, "The Age of Anxiety" Bernstein lauded the piece, saying "When I first read the book I was breathless." Bernstein worked on the composition "in Taos, Philadelphia, Richmond, Mass., in Tel-Aviv, in planes, in hotel lobbies..."〔(LA Phil )〕 Though titled as such, “The Age of Anxiety” bucks the traditional form of a symphony. Instead of a conventional four-movement, exclusively orchestral work, Bernstein scored it for solo piano and orchestra, and divided the piece into six subsections – mirroring Auden’s text – split equally into two parts that are performed without pause.〔Hudgins〕 He completed the piece on March 20, 1949 in New York City. Unsatisfied with the ending of the composition, Bernstein revised it in 1965 to firmly establish his idea for the true ending. The work was dedicated to and commissioned by Serge Koussevitzky who was preparing to end his 25-year career conducting the Boston Symphony Orchestra.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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